CHORO DUETOS PIXINGUINHA & BENEDITO LACERDA Vol. 1 with CD

CHORO DUETOS PIXINGUINHA E BENEDITO LACERDA, Volume 1 with Play-Along CD

CHORO DUETOS PIXINGUINHA E BENEDITO LACERDA is based on transcriptions of the recordings that Pixinguinha and Benedito Lacerda made in the 1940s. In this first volume, 12 tunes were selected. This volume includes a play-along CD with complete tracks as well as "play-along" tracks; without the flute (melody) and sax (harmony). This collection includes:

• Acerta o passo,
• Ainda me recordo,
• Descendo a serra,
• Naquele tempo,
• Os oito batutas,
• Proezas de Solon,
• Sedutor,
• Segura e ele,
• Seu Lourenço no vinho,
• Sofres porque queres,
• Vou vivendo
• Um a zero.

Includes parts for C, Bb & Eb-->parts for melody line and harmony line are included.

SÉVE, MÁRIO
GANC, DAVID

Brochura
 - 21 x 29 cm 1ª Edição - 2010
Acompanha CD-AUDIO

	100 pág.

Esta obra foi elaborada a partir da audição das gravações que a dupla realizou nos anos 1940. Neste primeiro volume, foram selecionadas 12 músicas, da parceria de Pixinguinha e Benedito Lacerda. O livro inclui CD 'play-along' com músicas gravadas em versão integral e em versão sem a flauta (melodia) e sem o sax tenor (contraponto). Repertório - Acerta o passo, Ainda me recordo, Descendo a serra, Naquele tempo, Os oito batutas, Proezas de Solon, Sedutor, Segura e ele, Seu Lourenço no vinho, Sofres porque queres, Vou vivendo e Um a zero.

Pixinguinha, (1897 - 1973) was a choro composer, arranger, flutist and saxophonist born in Rio de Janeiro. Edifying the choro as a musical genre, Pixinguinha gave it personality and identity. Some of his notable compositions include "Carinhoso" and "1 X 0" ("Um a Zero").

Benedito Lacerda (1903 - 1958) was one of the most influential innovators in Brazilian music. He is remembered as a star flautist and composer.

Customer Reviews:

Barbara Speed and I got together today to play the Choro Duetos. We thought the contraponto parts were nice. The CD is great and we should have
listened to it first. We played it with flute on melodia and contraponto on clarinet. It would work much better on flute and tenor sax, which we will
try next time we get together. There needs to be more separation between the instruments-flute and clarinet are too close in pitch. Unfortunately
the book has no contraponto part for C instruments. That means you can’t play it as a flute duet, and the flute can’t play a harmony for another
instrument. Flute on harmony might work with clarinet on the melody. I hope the next edition will include a harmony part for C instruments in the
treble clef. I really like Descendo a Sera and want to try it again with Barbara on tenor sax. If we do a fairly decent job of it I can send you a
recording. It was a nice way to spend time on a rainy day! Thanks! Carol Ginsburg (flute, mandolin) Albany, California, USA

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